
I found this posted on a wall in brooklyn....
Weather mostly hot & nights sometimes uncomfortably so. Sea variable mostly rather choppy. When no wind fish visible at least 10 feet below surface.
The Barbary Ape is said to be now very rare at Gibraltar & the authorities are trying to exterminate them as they are a nuisance. At a certain season of the year (owing to shortage of food I suppose) they come down from the rock & invade peoples° houses & gardens. They are described as large doglike ape with only a short stump of tail. The same species found on the African coast just opposite.
The breed of goat here is the Maltese, or at any rate is chiefly Maltese. The goat is rather small, & has the top half of its body covered with long & rather shaggy hair which overhangs to about the knees, giving the impression that it has very short legs. Ears are set low and drooping. Most of the goats are hornless, those having horns have ones that curve back so sharply that they lie against the head, & usually continue round in a semi-circle, the point of the horn being beside the eye. Udders are very pendulous & in many cases simply a bag with practically no teats, or teats barely 1/2 inch long. Colours black, white & (especially) reddish brown. Yield said to be about a litre a day. Goats apparently will graze on almost anything, eg. The flock I watched had grazed the wild fennel plants right to the ground.
Breed of donkeys here small, like the English. The conveyance peculiar to the place a little partly closed in carriage like the Indian gharry with the sides taken out.

I went to the met yesterday to check out the turner exhibit. I always like turner but never really mentioned him as an influence or inspiration. To see his work in person is a miracle to behold--- walked out of there a different person. He is one of the greatest artists who ever lived and he puts any abstract expressionist to shame. I never met an artist work that was so in line with my ideas of what painting is. The light and spiritual energy is as good and better than many of the old masters. I am going back today to take notes. his work was criticized often for being too "indistinct " it was viewed this way because he was so far ahead of his time. It puts me to shame how hard he worked in his lifetime.
Here is one of 5 jobs I am working on. I have to convert this metal deco design into glass panels....there are many issues to tackle on this job but it is not terribly difficult..I am hoping to be done Tuesday. I am also working on re-doing a panel in a nightclub that was smashed by a man who thought he could jump through glass. I guess with enough vodka glass could appear as water or a cool stream and technically glass is a liquid--- not a solid...The glass is ready for my "birch wall" so I must address that item as well, I am hoping to get that done in two weeks. I have to paint the queens unisphere for the 5th time and that is due mid-sept-- need a vacation as I am getting worn down by a summer of endless work and no play. I need to fly away to somewhere so I can draw and paint and stare at my toes. I want to go to barcelona and drink sangria and see where dali grew up.


Night before last an hour’s rain. Yesterday hot & overcast. Today ditto, with a few drops of rain in the afternoon. The hop-picking due to start in about a week.

Everything in Suffolk is much more dried-up than in Kent. Until the day we arrived there had been no rain for many weeks & various crops had failed. Near S’wold saw several fields of oats & barley being harvested which had grown only 1’ or 18” high. Ears nevertheless seemed normal. Wheat crop all over the world said to be heavy.
A bedstraw hawk-moth found in our back garden & mounted by Dr Collings¹. Evidently a straggler from the continent. Said to be the first seen in that locality for 50 years.
Little owl very common round here. Brown owl does not seem to exist.
Dr C. says the snake I caught was the “smooth snake”, non-poisonous & not very common.
Today hot again.
Gipsies beginning to arrive for the hop-picking. As soon as they have pitched their caravans the chickens are let loose & apparently can be depended on not to stray. The strips of tin for cloth-pegs are cut of biscuit boxes. Three people were on the job, one shaping the sticks, one cutting out the tin & another nailing it on. I should say one person doing all these jobs (also splitting the pegs after nailing) could make 10-15 pegs an hour.
Another white owl this evening.
Here is one of the greatest paintings ever made. This was made by the artist goya as part of his late series of "black paintings" paintings in which he tore apart humanity and showed his general disgust with the cruelty of humans. This painting is (in my opinion) so far ahead of its time that it was the first true "modern" painting. the composition is so strange and the subjetc of a dogs head just creeping out from "the dirt?" here goya gives in to the dark imagination that fueled his spanish brain. One must look at art in the context of the time it was painted, if you think about what was going on when in art he painted this (1820) then you can begin to understand the genius of it. I thin kthe dog my be a symbol of him sinking into the dark- sand of his final days and he is doing all he can to reach for the light and keep his head above the shadows. These paintings done at this time were all painted directly onto the walls of his home. This is why, in my opinion, Sargent is not fit to kneel at the feet of Goya. Art is about passion and emotion and not slick brushful renderings of aristocrats. When goya did his court portraits, at least he made them look like the de-natured pigs they were. In fact, I am surprised Goya was not jailed for his paintings of the courts and that they accepted his renderings of the inbred hemophiliacs with frog skin.
here is a better photo of two of my symbolist inspired glass carvings. They are edge with LED lighting that breathes some light into them. Photographing glass is not easy. I had to make both of these in one day--- wish I had a week on each. 
Here is a window I created for a mausoleum a few years ago. It is an image of St. Francis. This window was about 20 feet high.
If you want people to think you are an artist---it is important to put a number after your work..for instance, even though this is only one picture I took of this scene I call it composition number 7...This was a method favored by the abstract expressionists..instead of calling a work"blobby mess" or " I cant draw the figure for diddly squat" you would name it important names like "green composition number 14" this brings up the value and makes the public think you are really an artist and not a snake oil salesman..I should charge for these lessons.
click around the channels of your TV set and all you will hear about is how Russia invaded Georgia and the tragedy that has befallen Georgia. I am convinced our media has overdosed on Orwellian Koolaid because Georgia attacked Russia first, killing as many people as died in 911 and destroying much of the city of Ossetia. For some reason this fact is being ignored by the media. I even spoke to a famous TV journalist friend about it via email--and he didnt know this fact! White is black and black is white and ignorance is strength. I am only interested in this because the mainstream media is lying to us and we are drinking it up like a drunk to whiskey. good thing we have monday night football to take our minds off such matters...the good thing about artists is that they are the first people the government throws to the pavement when they start kicking in your doors...Now back to our regular scheduled program.
when you draw quick poses you have to look for that overall larger issues of what the pose is about. you cant focus on detail like a foot or hand, that is why quick poses are good. They are like vitamins! When you are rusty and you cannot find your rythym in drawing it is like getting having a dentist drilling into your teeth--no fun..it doesn't matter if you work on art all day long. Drawing from life is a different animal, altogether.

Eratosthenes knew that on the summer solstice at local noon in the Ancient Egyptian city of Swenet (known in Greek as Syene) on the Tropic of Cancer, the sun would appear at the zenith, directly overhead. He also knew, from measurement, that in his hometown of Alexandria, the angle of elevation of the Sun would be 1/50 of a full circle (7°12') south of the zenith at the same time. Assuming that Alexandria was due north of Syene he concluded that the distance from Alexandria to Syene must be 1/50 of the total circumference of the Earth. His estimated distance between the cities was 5000 stadia (about 500 geographical miles or 950 km). He rounded the result to a final value of 700 stadia per degree, which implies a circumference of 252,000 stadia. The exact size of the stadion he used is frequently argued. The common Attic stadion was about 185 m, which would imply a circumference of 46,620 km, i.e. 16.3% too large. However, if we assume that Eratosthenes used the "Egyptian stadion"[1] of about 157.5 m, his measurement turns out to be 39,690 km, an error of less than 1%.[2]
Although Eratosthenes' method was well founded, the accuracy of his calculation was inherently limited. The accuracy of Eratosthenes' measurement would have been reduced by the fact that Syene is slightly north of the Tropic of Cancer, is not directly south of Alexandria, and the Sun appears as a disk located at a finite distance from the Earth instead of as a point source of light at an infinite distance. There are other sources of experimental error: the greatest limitation to Eratosthenes' method was that, in antiquity, overland distance measurements were not reliable, especially for travel along the non-linear Nile which was traveled primarily by boat. So the accuracy of Eratosthenes' size of the earth is surprising.
Eratosthenes' experiment was highly regarded at the time, and his estimate of the Earth’s size was accepted for hundreds of years afterwards. His method was used by Posidonius about 150 years later.


Here is a photo of my new Kurt Vonnegut print. These are printed on high Quality hand made Spanish watercolor paper. This is limited to an edition of 200 hundred pieces, each one signed by Gardega! I am going to put on ebay today for bidding. I am not sure what I want to sell these for yet. These prints are a great way for me to keep my studio running at maximum efficiency so I can focus on painting larger pieces for an upcoming show.
Very hot in the morning. In the afternoon sudden thunder-storm & very heavy rain. About 50 yards from the gate the road & pavement flooded a foot deep after only 1 1/2 hours rain.
Blackberries beginning to redden.
( I missed a few days on his journal so I am catching up)
Burnt sienna is an iron oxide pigment: a warm mid brown color. Chemically, burnt sienna is formed by burning raw sienna (Terra di Sienna).This morning all surfaces, even indoors, damp as a result of mist. A curious deposit all over my snuff-box, evidently residue of moisture acting on lacquer.
Very hot, but rain in afternoon.
Am told the men caught another snake this morning – definitely a grass snake this time. The man who saw them said they had tied a string round its neck & were trying to cut out its tongue with a knife, the idea being that after this it could not “sting.”¹
The first Beauty of Bath apples today.