Saturday, April 12, 2008
great stuff!
I think it is great to take a new view on viewing art!
Buddha Sculpture
courbet at the met--by gardega
picasso---man with lollipop
the met--first to arrive

I was the first person to arrive at The Met this morning as I got there an hour early to make sure I was the first person in to see the Courbet show today. I even had ample time to take photos in Central park. The man behind me and second in line (an artist) and I got into a discussion and I made a a quip about the contrast of having both jasper Johns and Courbet shows at the same time. Turns out that he was a big fan of jasper Johns and thought Dali a third rate hack. I mentioned to him that Jasper Johns was a terrible draftsman and Dali was the greater draftsman than even Picasso and that Jasper Johns could not draw.. He said he "lettered well." I replied that sign shops also letter rather well. He knew that it was game over at that point and I pointed out that what makes the world great is each person is entitled to their own opinion. Gardega was glad he was first on line and not second as I scurried away from idiocy and into the great halls of genius.
springtime---- by gardega
alice in wonderland bronze--NYC

Pet Photography---by Gardega
Central Park---by gardega
The Met
Friday, April 11, 2008
also at the MET--jasper Johns--TA DA!!!

I am sorry if any of you are Jasper John's fans as I am picking on him because he also has a show at The Met. This piece is called hart crane (persicope) --I have learned that if you are painting "Modern art" and your painting has no real merit to it (visual or otherwise) you can throw a random title on it to make it seem like it is more than it seems---like you are "in the know." Courbet's painting of a Desperate Man takes labor and skill and love and thought and sweat. these paintings take a can of cheap acrylic paint. I have also noticed the greater the con game in the art world--the greater amount of words you need to describe a piece of art or an artist. This is the opposite of ZEN, alex thinks---just sitting, painting.
yesterday
viva gardega
Courbet at The Met

here is something I stole from the Mets website....
Gustave Courbet (1819–1877), the self-proclaimed "proudest and most arrogant man in France," created a sensation at the Salon of 1850–51 when he exhibited a group of paintings set in his native Ornans, a village in eastern France. These works challenged convention by rendering scenes from daily life in an emphatically realistic style and on the large scale previously reserved for history painting.
Courbet's career was punctuated by a succession of scandals, which were usually cultivated by the artist and always welcomed. After a public fight with the all-powerful superintendent of fine arts, Comte Nieuwerkerke, several of his works were refused display in the great Salon and Universal Exposition of 1855. Courbet countered with his own Pavilion of Realism, audaciously built within sight of the official Salon, where he exhibited, among other works, a monumental canvas, The Painter's Studio (Musée d'Orsay, Paris). The accompanying exhibition catalogue included his "Realist Manifesto," in which he declared his aim "to be in a position to translate the customs, the ideas, the appearance of my epoch, according to my own estimation." The press had a field day, and Courbet immediately became the most controversial artist in France.
A new generation of painters, among them Manet, Monet, Fantin-Latour, Degas, and Whistler, were drawn to Courbet's outsize personality and his realism. As a painter of landscapes, he developed a radical vision, expressed in tightly focused views of his native Franche-Comté as well as his "landscapes of the sea," which profoundly influenced the next generation of artists, especially Cézanne.
In 1870, he rejected the coveted award of the Legion of Honor, proclaiming his freedom and independence from any form of government. His involvement with the short-lived, socialist government, the Paris Commune of 1871, led to imprisonment and, ultimately, self-imposed exile in Switzerland, where he died in 1877. Through his powerful and idiosyncratic realism and his courtship of the press and controversy, Courbet became a pioneering figure in the history of modern art. His paintings, which moved Picasso,
Wednesday, April 9, 2008
quote of the day
david lee roth
Monday, April 7, 2008
nyc and the sofa of time
words of the day----N.peart
We can rise and fall like empires
Flow in and out like the tide
Be vain and smart, humble and dumb
We can hit and miss like pride
Just like pride
We can circle around like hurricanes
Dance and dream like lovers
Attack the day like birds of prey
Or scavengers under cover
[Chorus:]
Look in...to the eye of the storm
Look out...for the force without form
Look around...at the sight and the sound
Look in look out look around...
We can move with savage grace
To the rhythms of the night
Cool and remote like dancing girls
In the heat of the beat and the lights
We can wear the rose of romance
An air of joie de vivre
Too tender hearts upon our sleeves
Or skin as thick as thieves
Thick as thieves...