Saturday, July 14, 2007
Note
I have been sending you updates to the same email address you have been using to contact me....It seems you are not getting my outgoing email replies. (I have started your painting.)
you can call me if you wish 917 400 1317
brilliant!
Five orangutans at the Leipzig Zoo in Germany were each shown shelled peanuts. The nuts floated out of reach inside a clear 10-inch-high plastic tube quarter-filled with water.
All of the orangutans collected water from a drinker and spat it inside the tube to float the peanuts high enough to grab them, averaging three mouthfuls before success. In their first attempts, the apes on average took nine minutes before they got the nuts, but they only needed just 31 seconds by their tenth try.
Friday, July 13, 2007
Bronx Cover
Study for glass design
Here is a drawing I made for a glass etching I will attack next week...I am going to add wings to helmet-- so I will either draw them separate or overcome laziness and re-draw the whole thing. This is a very large drawing.
22 x 30
pencil on 3 ply strathmore paper.
100.00 dollars
email me if you want it before I put on ebay.
alexgardega@gmail.com
going running--back soon.
still waters
Today's moon is 1% full, a waning crescent. Tomorrow we have the new moon.This is a painting of the full moon. I always preferred to keep people smaller than my landscapes as I find nature more important.
This is for sale by clicking below:
http://cm.ebay.com/cm/ck/1065
Thursday, July 12, 2007
almost finished
random cool fact of the day
what this has to do with art I have no idea--- but its damn interesting!
Alfred Kubin!
Artist of The Day---alfred kubin
Alfred Kubin was born in 1877 in Austria. He was an amazing artist mainly because he had such an amazing imagination. His technique was a bit klunky at times but he more than made up for his lack of technique. He was known for his dark, spectral works. Very few artists know about him, I try to spread his name around when I can! He wrote a book called "the other side"-- which I am dying to read. He lived the life of a recluse in an old castle (not unlike myself-- minus the castle)
Please google him to see his work!
howdy
step 5
Here is where the painting stands now after much struggling and "wiping out" sorry about the flash reflection on the lower part...I now have something I like and can work with as far as adding darks and some minor details....My cable went down last night so I could not continue uploading so I had to eat sushi instead and when I came back I hit the painting for all of ten minutes and pulled it all together.
Wednesday, July 11, 2007
three hours later
onwards, young flying things...
For me painting is often a seriously painful battle. If you are not really fighting your way through a piece then you are probably "painting by numbers." Painting always seems like the end of the world to me even though it is only 50 dollars worth of art board you risk losing. I can barely bring myself to show people a piece when I am in the "fighting" stage. It is like a writer showing the first draft...Coaxing dreams from the ether requires you to get into a certain emotional state, if you are going through the motions then you might as well just paint portraits of rich people. (not that I wouldn't paint portraits of rich people I would just charge them enough so I can avoid my impulses of replacing the family dog with a horseshoe crab) I would rather drink coffee (which I have never tasted and have a phobia of) than show this work in its unfinished state.
step 4
I think there is an analogous relationship between paintings and sleep. Without sleep there is no dream. Anything can happen in a dream, even death. Now we have established possibility in our painting---We carefully must coax the dream from the piece, a sleeping canvas is easily woken and the dream destroyed forever. Architects are bad dreamers as they plan out everything beforehand with science and math and cold precision. Alex is a good dreamer because he lets the painting work with him and does not use a slide rule which are noisy and awake the painting.
step three!
Alex now adds reality too his Tabula rasa (blank slate) in the form of a toasty- warm oil wash of burnt umber, black and burnt sienna. The gesso beneath is very smooth and sanded with 12oo grit sandpaper, just enough tooth to hold onto the paint! I am using linseed oil and another secret ingredient to give life to my underpainting (which is in fact not an under painting at all but a primary and upstanding member of the masterpiece community.)
Step Two----three colors (Holy Trinity)
For this masterpiece, Alex will use only three oil colors! Burnt sienna, Burnt Umber and Mars Black are all VIP'S ; White, for all her beauty, is not invited to this party. You will understand later why white was left home alone. I am using a glass palette with plenty of room for my holy trinity of colors to stretch out and breathe. The next important step is when I put on my Peter Gabriel Passion CD.
Commision
Tuesday, July 10, 2007
Still life with apple
The word “artist” is an over-used, abused and misappropriated term. So many are called it – but few truly deserve it. You, sir, deserve it.
I could not resist posting such a nice compliment, words like this help you through the down times in art. ----my hat no longer fits on my swelling head.
(thanks peter)
Back to Work!
Monday, July 9, 2007
7/09/07
alex
Sunday, July 8, 2007
Finito
seagull (detail staten island)
Staten Island
Here is the book cover I am painting of staten island. (I am nearing completion. )It is often a case of finding something to be excited about in a painting so you can stay interested in what you are working on. If you just go through the motions the piece will not have any life and if you do a lifeless photo-realistic rendering it will be even worse. I like to get involved in the piece, I can never sketch out a whole thing ahead of time like I am in some science lab. Painting is a living organism and must be coaxed along as such. If I was a computer artist I would save a million headaches for myself and then again I would be just another pixel puller without a an actual hard copy or finished piece or canvas . I am still working on the "boardwalkers..."
sorry for the dark photo.
Pink Dolphin
Note on Schnabel Piece
Someone inquired about this piece and asked me if the frame was plastic. It is a hard wood carved frame about 4 inches thick (and wide as well.) It is a wonderful framing job by a great framer. I have a lot of inquiries and will not sell this piece for any less than 1,000. If anyone wants it I will give you an original copy of the NY post page six page that mentions it. I truthfully do not want to part with it but I would for the above mentioned price.